![]() The former president and first lady collaborated with Thelma Golden (director at the Studio Museum in Harlem) to select the artists for all four portraits, inviting prospective painters for interviews at the Oval Office before making final choices. ![]() Sprung said she hopes that all four works can go on view together someday. “There’s a certain grace and simplicity and quietness and presence to both paintings.” The poses even echo one another. ![]() “It’s the same person,” Sprung told Artnet News. While McCurdy noted his hyperrealistic portrait differs substantially from Wiley’s surrealist composition, Sprung found shocking similarities between Sherald’s depiction of Michelle and her own. None of the four artists-Wiley, Sherald, McCurdy, or Sprung-got to see each others’ work until after they were done. In the wake of the unveiling, Artnet News caught up with both McCurdy and Sprung, who painted Barack and Michelle respectively, to learn more about their historic experiences. politics, neither the Obamas nor former president Donald Trump wanted such an event.Ĭommissioned at the same time as the National Portrait Gallery’s vibrant portraits of the Obamas by Kehinde Wiley and Amy Sherald, these two new works by Robert McCurdy and Sharon Sprung required a more traditional style. The ceremony is usually held towards the end of the first term of a president’s successor. Normally, they wouldn’t have waited so long. America went wild this week when former president and first lady Barack and Michelle Obama returned to the White House for the first time in five years to at last debut their official presidential portraits.
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